The Victorian Review, Volumen6H. Mortimer Franklyn Victorian Review Publishing Company, Limited, 1882 |
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Página 2
... human hand ; for , independently of the expression of ineffable sweetness which can be imparted by the touch of the latter , the abstract regularity of rhythm and intervals impedes the free revelation 2 May 1 THE VICTORIAN REVIEW .
... human hand ; for , independently of the expression of ineffable sweetness which can be imparted by the touch of the latter , the abstract regularity of rhythm and intervals impedes the free revelation 2 May 1 THE VICTORIAN REVIEW .
Página 3
... human eye is generally considered to be the quinary ( the number of the fingers ) , though by means of an easy and unconscious reckoning we may be able to perceive distinctly up to 2 × 5 , or 10 , on account of a very general ...
... human eye is generally considered to be the quinary ( the number of the fingers ) , though by means of an easy and unconscious reckoning we may be able to perceive distinctly up to 2 × 5 , or 10 , on account of a very general ...
Página 7
... human body are in the male as 5 : 8 , but in the female as 3 : 5 ; in music , " sharps ' are as 5 : 8 , and " flats " as 3 : 5 ; major predominates in man , and music played in a sharp key ; minor in woman , and music played in a flat ...
... human body are in the male as 5 : 8 , but in the female as 3 : 5 ; in music , " sharps ' are as 5 : 8 , and " flats " as 3 : 5 ; major predominates in man , and music played in a sharp key ; minor in woman , and music played in a flat ...
Página 8
... human figure . It happened , fortunately , that just at the period when the development of Grecian sculpture had reached its climax , endeavours were made to establish a norma or rule for the proportionality of the human body , and we ...
... human figure . It happened , fortunately , that just at the period when the development of Grecian sculpture had reached its climax , endeavours were made to establish a norma or rule for the proportionality of the human body , and we ...
Página 9
... such cases the latter must be made up for by counterpoise . Looking at a human body en face , or from the front , we have complete symmetry or equilibrium ; but if we view the same body en profile , or from the 1882 . 9 ESTHETICS .
... such cases the latter must be made up for by counterpoise . Looking at a human body en face , or from the front , we have complete symmetry or equilibrium ; but if we view the same body en profile , or from the 1882 . 9 ESTHETICS .
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9 Flinders amongst ancient appears Asherah Australian Bank beautiful become body called cent character chief Christian church COLLINS STREET colony colour death Dora Greenwell earth EDMUND FINN effect England English Erasmus Darwin evil existence eyes fact favour feet Fiji Fijian Flinders Lane give Government hand heart honour House human interest Kafir King labour land less Levuka light living Lord matter means Melbourne ment miles mind monotheism moral native nature never night object Pao-Ly paper party passed patent poem poet political present quartz Queensland question Râma religious Rewa ridiculous rocks Sir Bryan O'Loghlen story things Thomas Carlyle thought tion tribe true truth Victorian VICTORIAN REVIEW voice Vulgate whole words worship writes Yahweh Zulus
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Página 471 - Sir Walter Scott, in the same manner, has used those fragments of truth which historians have scornfully thrown behind them, in a manner which may well excite their envy. He has constructed out of their gleanings works which, even considered as histories, are scarcely less valuable than theirs.
Página 347 - How keen the stars, his only thought — The air how calm, and cold, and thin, In the solemn midnight Centuries ago ! Oh, strange indifference ! low and high Drowsed over common joys and cares ; The earth was still — but knew not why The world was listening, unawares. How calm a moment may precede One that shall thrill the world for ever ! To that still moment none would heed, Man's doom was linked no more to sever...
Página 448 - Samuel said, hath the Lord as great delight in burnt offerings and sacrifices as in obeying the voice of the Lord ? Behold, to obey is better than sacrifice, and to hearken, than the fat of rams.
Página 490 - Leave to the nightingale her shady wood ; A privacy of glorious light is thine; Whence thou dost pour upon the world a flood Of harmony, with instinct more divine; Type of the wise who soar, but never roam; True to the kindred points of Heaven and Home...
Página 347 - It was the calm and silent night ! Seven hundred years and fifty-three Had Rome been growing up to might, And now was Queen of land and sea. No sound was heard of clashing wars; Peace brooded o'er the hushed domain; Apollo, Pallas, Jove and Mars Held undisturbed their ancient reign, In the solemn midnight Centuries . ago.
Página 453 - And he spake three thousand proverbs: and his songs were a thousand and five. 33 And he spake of trees, from the cedar tree that is in Lebanon even unto the hyssop that springeth out of the wall: he spake also of beasts, and of fowl, and of creeping things, and of fishes.
Página 452 - And God gave Solomon wisdom and understanding exceeding much, and largeness of heart, even as the sand that is on the sea shore.
Página 471 - The perfect historian is he in whose work the character and spirit of an age is exhibited in miniature. He relates no fact, he attributes no expression to his characters, which is not authenticated by sufficient testimony. But, by judicious selection, rejection, and arrangement, he gives to truth those attractions which have been usurped i by fiction.
Página 347 - Twas in the calm and silent night! The senator of haughty Rome, Impatient, urged his chariot's flight, From lordly revel rolling home ; Triumphal arches, gleaming, swell His breast with thoughts of boundless sway; What recked the Roman what befell A paltry province far away, In the solemn midnight, Centuries ago?
Página 470 - History, it has been said, is philosophy teaching by examples. Unhappily, what the philosophy gains in soundness and depth the examples generally lose in vividness. A perfect historian must possess an imagination sufficiently powerful to make his narrative affecting and picturesque.