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How! is not his death-knell knolled?

And livest thou still, Mother Earth? Thou wert warming thy fingers old O'er the embers covered and cold

Of that most fiery spirit, when it fled;

What, Mother, do you laugh now he is dead?

"Who has known me of old," replied Earth, "Or who has my story told?

It is thou who art over-bold."

And the lightning of scorn laughed forth As she sung, "To my bosom I fold

All my sons when their knell is knolled,

And so with living motion all are fed,

And the quick spring like weeds out of the dead.

"Still alive and still bold," shouted Earth, "I grow bolder, and still more bold. The dead fill me ten thousand-fold

Fuller of speed, and splendour, and mirth ; I was cloudy, and sullen, and cold, Like a frozen chaos uprolled,

Till by the spirit of the mighty dead

My heart grew warm.

I feed on whom I fed

$6 Ay, alive and still bold," muttered Earth,

66 Napoleon's fierce spirit rolled,

In terror, and blood, and gold,

A torrent of ruin to death from his birth.

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Leave the millions who follow to mould

The metal before it be cold,

And weave into his shame, which like the dead Shrouds me, the hopes that from his glory fled."

TO-MORROW.

WHERE art thou, beloved To-morrow?
When young and old, and strong and weak,
Rich and poor, through joy and sorrow,
Thy sweet smiles we ever seek,—

In thy place-ah! well-a-day!
We find the thing we fled-To-day.

GINEVRA.*

WILD, pale, and wonder-stricken, even as one
Who staggers forth into the air and sun

From the dark chamber of a mortal fever,
Bewildered, and incapable, and ever
Fancying strange comments in her dizzy brain
Of usual shapes, till the familiar train

*This fragment a poem which Shelley intended to write founded on a story to be found in the first volume of a book entitled "L'Osservatore Fiorentino."

Of objects and of persons passed like things
Strange as a dreamer's mad imaginings,

Ginevra from the nuptial altar went;

The vows to which her lips had sworn assent
Rung in her brain still with a jarring din,
Deafening the lost intelligence within.

And so she moved under the bridal veil,
Which made the paleness of her cheek more pale,
And deepened the faint crimson of her mouth,
And darkened her dark locks, as moonlight doth,-
And of the gold and jewels glittering there
She scarce felt conscious, but the weary glare
Lay like a chaos of unwelcome light,
Vexing the sense with gorgeous undelight.
A moonbeam in the shadow of a cloud
Was less heavenly fair-her face was bowed,
And as she passed, the diamonds in her hair
Were mirrored in the polished marble stair
Which led from the cathedral to the street;
And even as she went her light fair feet
Erased these images.

The bride-maidens who round her thronging

came,

Some with a sense of self-rebuke and shame,

Envying the unenviable; and others

Making the joy which should have been another's

Their own by gentle sympathy; and some
Sighing to think of an unhappy home:

Some few admiring what can ever lure
Maidens to leave the heaven serene and pure
Of parents' smiles for life's great cheat; a thing
Bitter to taste, sweet in imagining.

But they are all dispersed—and lo! she stands
Looking in idle grief on her white hands,
Alone within the garden now her own;
And through the sunny air, with jangling tone,
The music of the merry marriage-bells,
Killing the azure silence, sinks and swells;-
Absorbed like one within a dream who dreams
That he is dreaming, until slumber seems
A mockery of itself—when suddenly
Antonio stood before her, pale as she.
With agony, with sorrow, and with pride,
He lifted his wan eyes upon the bride,

And said "Is this thy faith?" and then as one
Whose sleeping face is stricken by the sun
With light like a harsh voice, which bids him rise
And look upon his day of life with eyes

Which weep in vain that they can dream no more
Ginevra saw her lover, and forbore

To shriek or faint, and checked the stifling blood
Rushing upon her heart, and unsubdued
Said "Friend, if earthly violence or ill,
Suspicion, doubt, or the tyrannic will

Of parents, chance, or custom, time, or change,
Or circumstance, or terror, or revenge,
Or wildered looks, or words, or evil speech,
With all their stings and venom, can impeach

Our love, we love not:-if the grave, which

hides

The victim from the tyrant, and divides

The cheek that whitens from the eyes that dart Imperious inquisition to the heart

That is another's, could dissever ours,

We love not."- "What! do not the silent hours Beckon thee to Gherardi's bridal bed?

دو

Is not that ring' -a pledge, he would have

said,

Of broken vows, but she with patient look
The golden circle from her finger took
And said "Accept this token of my faith,
The pledge of vows to be absolved by death;
And I am dead or shall be soon-my knell
Will mix its music with that merry bell;
Does it not sound as if they sweetly said,
'We toll a corpse out of the marriage bed?'
The flowers upon my bridal chamber strewn
Will serve unfaded for my bier-so soon
That even the dying violet will not die
Before Ginevra." The strong fantasy
Had made her accents weaker and more weak,
And quenched the crimson life upon her cheek,
And glazed her eyes, and spread an atmosphere
Round her, which chilled the burning noon with

fear

Making her but an image of the thought,
Which, like a prophet or a shadow, brought
News of the terrors of the coming time.
Like an accuser branded with the crime

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