Film Theory and Contemporary Hollywood MoviesWarren Buckland Routledge, 2009 M06 3 - 368 páginas Film theory no longer gets top billing or plays a starring role in film studies today, as critics proclaim that theory is dead and we are living in a post-theory moment. While theory may be out of the limelight, it remains an essential key to understanding the full complexity of cinema, one that should not be so easily discounted or discarded. In this volume, contributors explore recent popular movies through the lens of film theory, beginning with industrial-economic analysis before moving into a predominately aesthetic and interpretive framework. The Hollywood films discussed cover a wide range from 300 to Fifty First Dates, from Brokeback Mountain to Lord of the Rings, from Spider-Man 3 to Fahrenheit 9/11, from Saw to Raiders of the Lost Ark, and much more. Individual essays consider such topics as the rules that govern new blockbuster franchises, the ‘posthumanist realism’ of digital cinema, video game adaptations, increasingly restricted stylistic norms, the spatial stories of social networks like YouTube, the mainstreaming of queer culture, and the cognitive paradox behind enjoyable viewing of traumatic events onscreen. With its cast of international film scholars, Film Theory and Contemporary Hollywood Movies demonstrates the remarkable contributions theory can offer to film studies and moviegoers alike. |
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Warren Buckland. Film. Theory. and. Contemporary. Hollywood. Movies. Film theory no longer gets top billing or plays a starring role in film studies today, as critics proclaim that theory is dead and we are living in a post-theory moment ...
... film scholars, Film Theory and Contemporary Hollywood Movies demonstrates the remarkable contributions theory can offer to film studies and moviegoers alike. Warren Buckland is Reader in Film Studies at Oxford Brookes University. His ...
... film theory is to construct models of film's nonobservable underlying structures in an attempt to explain the nature of film (the “system of codes” of film semiotics; the “Absent One” of suture theory, and so on). The absence of causes ...
Warren Buckland. fields model different sectors of film's non-observable underlying structures, depending on the absent causes they examine: unconscious, ideological, economic, cognitive, neurobiological, and so on. Academic film studies ...
... film industry? Does the mainstreaming of gay and lesbian culture and concerns necessarily mean its commodification and depoliticization?” After reviewing queer film theory and queer films from the last 20 years, he brings these ...