Imágenes de páginas
PDF
EPUB
[merged small][ocr errors][merged small][ocr errors][merged small][merged small]

To him who in the love of Nature holds
Communion with her visible forms, she speaks
A various language; for his gayer hours
She has a voice of gladness, and a smile
And eloquence of beauty, and she glides
Into his darker musings, with a mild
And healing sympathy, that steals away
Their sharpness ere he is aware. When thoughts
Of the last bitter hour come like a blight
Over thy spirit, and sad images

Of the stern agony, and shroud, and pall,
And breathless darkness, and the narrow house,
Make thee to shudder, and grow sick at heart;-
Go forth, under the open sky, and list

To Nature's teachings, while from all around-
Earth and her waters, and the depths of air,-
Comes a still voice-Yet a few days, and thee
The all-beholding sun shall see no more
In all his course; nor yet in the cold ground,
Where thy pale form was laid, with many tears,
Nor in the embrace of ocean, shall exist

Thy image. Earth, that nourished thee, shall claim

Thy growth, to be resolved to earth again,

Lines by Halleck, in his poem, "The Recorder."

And, lost each human trace, surrendering up
Thine individual being, shalt thou go
To mix for ever with the elements,

To be a brother to the insensible rock
And to the sluggish clod, which the rude swain
Turns with his share, and treads upon. The oak
Shall send his roots abroad, and pierce thy mould.

Yet not to thine eternal resting-place
Shalt thou retire alone,-uor couldst thou wish
Couch more magnificent. Thou shalt lie down
With patriarchs of the infant world-with kings,
The powerful of the earth-the wise, the good,
Fair forms, and hoary seers of ages past,
All in one mighty sepulchre. The hills
Rock-ribbed and ancient as the sun; the vales
Stretching in pensive quietness between;
The venerable woods; rivers that move
In majesty, and the complaining brooks

That make the meadows green; and, poured round all,

Old ocean's grey and melancholy waste,

Are but the solemn decorations all

Of the great tomb of man. The golden sun
The planets, all the infinite host of heaven,
Are shining on the sad abodes of death,
Through the still lapse of ages. All that tread
The globe are but a handful to the tribes
That slumber in its bosom.-Take the wings
Of morning, traverse Barca's desert sands,
Or lose thyself in the continuous woods
Where rolls the Oregon, and hears no sound,
Save his own dashings-yet-the dead are there:
And millions in those solitudes, since first
The flight of years began, have laid them down
In their last sleep-the dead reign there alone,
So shalt thou rest, and what if thou withdraw
In silence from the living, and no friend
Take note of thy departure? All that breathe
Will share thy destiny. The gay will laugh
When thou art gone, the solemn brood of care
Plod on, and each one as before will chase
His favorite phantom; yet all these shall leave
Their mirth and their employments, and shall come,
And make their bed with thee. As the long train
Of ages glide away, the sons of men,

The youth in life's green spring, and he who goes
In the full strength of years, matron and maid,
And the sweet babe, and the grey-headed man,-
Shall one by one be gathered to thy side,
By those, who in their turn shall follow them.

So live, that when thy summons comes to join
The innumerable caravan, which moves
To that mysterious realm, where each shall take
His chamber in the silent halls of death,
Thou go not, like the quarry-slave at night,
Scourged to his dungeon, but, sustained and soothed
By an unfaltering trust, approach thy grave
Like one who wraps the drapery of his couch
About him, and lies down to pleasant dreams.

[graphic]
[blocks in formation]

There is a Power whose care
Teaches thy way along that pathless coast,—
The desert and illimitable air,-

Lone wandering, but not lost.

All day thy wings have fanned,
At that far height, the cold thin atmosphere,
Yet stoop not, weary, to the welcome land,
Though the dark night is near.

And soon that toil shall end;

Soon shalt thou find a summer home and rest,
And scream among thy fellows; reeds shall bend,
Soon, o'er thy sheltered nest.

Thou 'rt gone, the abyss of heaven
Hath swallowed up thy form; yet, on my heart
Deeply hath sunk the lesson thou hast given,
And shall not soon depart.

He who, from zone to zone,

Guides through the boundless sky thy certain flight, In the long way that I must tread alone,

Will lead my steps aright.

JUNE

I gazed upon the glorious sky

And the green mountains round; And thought that when I came to lie At rest within the ground, Twere pleasant, that in flowery June, When brooks send up a cheerful tune, And groves a joyous sound, The sexton's hand, my grave to make, The rich, green mountain turf should break.

A cell within the frozen mould,

A coffin borne through sleet, And icy clods above it rolled,

While fierce the tempests beat-
Away!-I will not think of these-
Blue be the sky and soft the breeze,

Earth green beneath the feet,
And be the damp mould gently pressed
Into my narrow place of rest.

There through the long, long summer hours
The golden light should lie,

And thick young herbs and groups of flowers
Stand in their beauty by.

The oriole should build and tell
His love-tale close beside my cell;
The idle butterfly

Should rest him there, and there be heard
The housewife bee and humming-bird.
And what if cheerful shouts at noon
Come, from the village sent,

Or songs of maids, beneath the moon,
With fairy laughter blent?
And what if, in the evening light,
Betrothed lovers walk in sight

Of my low monument?

I would the lovely scene around
Might know no sadder sight or sound.

I know, I know I should not see
The season's glorious show;
Nor would its brightness shine for me,
Nor its wild music flow;
But if, around my place of sleep,
The friends I love should come to weep,
They might not haste to go.

Soft airs, and song, and light, and bloom,
Should keep them lingering by my tomb.
These to their softened hearts should bear
The thought of what has been,
And speak of one who cannot share
The gladness of the scene;

Whose part, in all the pomp that fills The circuit of the summer hills,

Is that his grave is green;

And deeply would their hearts rejoice To hear again his living voice.

THE DEATH OF THE FLOWERS.

The melancholy days are come, the saddest of the year,

Of wailing winds and naked woods, and meadows brown and sere.

Heaped in the hollows of the grove, the autumn leaves lie dead;

They rustle to the eddying gust, and to the rabbit's tread.

The robin and the wren are flown, and from the shrubs the jay,

And from the wood-top calls the crow through all the gloomy day.

Where are the flowers, the fair young flowers, that lately sprang and stood

In brighter light, and softer airs, a beauteous sisterhood?

Alas! they all are in their graves, the gentle race of flowers

Are lying in their lowly beds, with the fair and good of ours.

The rain is falling where they lie, but the cold November rain

Calls not from out the gloomy earth the lovely ones again.

The wind-flower and the violet, they perished long

[blocks in formation]
[ocr errors]

Thy sports, thy wanderings, when a child,
Were ever in the sylvan wild;
And all the beauty of the place
Is in thy heart and on thy face.

The twilight of the trees and rocks
Is in the light shade of thy locks;
Thy step is as the wind, that weaves
Its playful way among the leaves.

Thine eyes are springs, in whose serene
And silent waters heaven is seen;
Their lashes are the herbs that look
On their young figures in the brook.
The forest depths, by foot unpressed,
Are not more sinless than thy breast;
The holy peace that fills the air
Of those calm solitudes, is there.

TO THE EVENING WIND.

Spirit that breathest through my lattice, thou
That cool'st the twilight of the sultry day,
Gratefully flows thy freshness round my brow;
Thou hast been out upon the deep at play,
Riding all day the wild blue waves till now,
Roughening their crests, and scattering high their
spray,

And swelling the white sail. I welcome thee
To the scorched land, thou wanderer of the sea!
Nor I alone-a thousand bosoms round

Inhale thee in the fulness of delight;
And languid forms rise up, and pulses bound
Livelier, at coming of the wind of night;
And, languishing to hear thy grateful sound,

Lies the vast inland stretched beyond the sight. Go forth, into the gathering shade; go forth, God's blessing breathed upon the fainting earth! Go, rock the little wood-bird in his nest,

Curl the still waters, bright with stars, and rouse The wide old wood from his majestic rest, Summoning from the innumerable boughs

The strange, deep harmonies that haunt his breast:
Pleasant shall be thy way where meekly bows
The shutting flower, and darkling waters pass,
And where the o'ershadowing branches sweep the
grass.

Stoop o'er the place of graves, and softly sway

The sighing herbage by the gleaming stone; That they who near the churchyard willows stray, And listen in the deepening gloom, alone, May think of gentle souls that passed away, Like thy pure breath, into the vast unknown, Sent forth from heaven among the sons of men, And gone into the boundless heaven again.* The faint old man shall lean his silver head

To feel thee; thou shalt kiss the child asleep, And dry the moistened curls that overspread

His temples, while his breathing grows more deep;
And they who stand about the sick man's bed
Shall joy to listen to thy distant sweep,

And softly part his curtains to allow
Thy visit, grateful to his burning brow.

Go-but the circle of eternal change,

Which is the life of nature, shall restore, With sounds and scents from all thy mighty range, Thee to thy birthplace of the deep once more;

This stanza is not included in the editions of Mr. Bryant's Poems. It appeared in The Poets of America," published by Mr. John Keese, and illustrated by Chapman. The stanza is said to have been written at Mr. Keese's suggestion, to supply what is certainly an appropriate addition in keeping with the sentiment of the piece.

Sweet odours in the sea-air, sweet and strange,

Shall tell the home-sick mariner of the shore; And, listening to thy murmur, he shall deem He hears the rustling leaf and running stream.

BONG OF MARION'S MEN.

Our band is few, but true and tried,
Our leader frank and bold;
The British soldier trembles

When Marion's name is told.
Our fortress is the good green wood,
Our tent the cypress-tree;
We know the forest round us,

As seamen know the sea.
We know its walls of thorny vines,
Its glades of reedy grass,
Its safe and silent islands
Within the dark morass.

Wo to the English soldiery

That little dread us near!
On them shall light at midnight
A strange and sudden fear:
When, waking to their tents on fire,
They grasp their arms in vain,
And they who stand to face us
Are beat to earth again;
And they who fly in terror deem
A mighty host behind,

And hear the tramp of thousands
Upon the hollow wind.

Then sweet the hour that brings release
From danger and from toil:

We talk the battle over,

And share the battle's spoil.

The woodland rings with laugh and shout,
As if a hunt were up,

And woodland flowers are gathered
To crown the soldier's cup.
With merry songs we mock the wind
That in the pine-top grieves,
And slumber long and sweetly,

On beds of oaken leaves.

Well knows the fair and friendly moon
The band that Marion leads-

The glitter of their rifles,

The scampering of their steeds.
"Tis life to guide our fiery barbs
Across the moonlight plains;
"Tis life to feel the night-wind

That lifts their tossing manes.
A moment in the British camp-
A moment-and away
Back to the pathless forest,
Before the peep of day.

Grave men there are by broad Santee,
Grave men with hoary hairs,
Their hearts are all with Marion,

For Marion are their prayers.
And lovely ladies greet our band,
With kindliest welcoming,
With smiles like those of summer,
And tears like those of spring.
For them we wear these trusty arms,
And lay them down no more
Till we have driven the Briton,
For ever, from our shore.

THE BATTLE-FIELD.

Once this soft turf, this rivulet's sands,

Were trampled by a hurrying crowd, And fiery hearts and armed hands

Encountered in the battle cloud.

Ah! never shall the land forget

How gushed the life-blood of her brave-
Gushed, warm with hope and courage yet,
Upon the soil they fought to save.

Now all is calm, and fresh, and still,
Alone the chirp of flitting bird,
And talk of children on the hill,

And bell of wandering kine are heard.

No solemn host goes trailing by

The black-mouthed gun and staggering wain;

Men start not at the battle-cry,

Oh, be it never heard again!

Soon rested those who fought; but thou
Who minglest in the harder strife
For truths which men receive not now,
Thy warfare only ends with life.
A friendless warfare! lingering long

Through weary day and weary year.
A wild and many-weaponed throng

Hang on thy front, and flank, and rear. Yet nerve thy spirit to the proof,

And blench not at thy chosen lot. The timid good may stand aloof,

The sage may frown-yet faint thou not.
Nor heed the shaft too surely cast,

The foul and hissing bolt of scorn;
For with thy side shall dwell, at last,
The victory of endurance born.
Truth crushed to earth shall rise again;
The eternal years of God are hers;
But Error wounded, writhes with pain,
And dies among his worshippers.
Yea, though thou lie upon the dust,

When they who helped thee flee in fear,
Die full of hope and manly trust,

Like those who fell in battle here. Another hand thy sword shall wield, Another hand the standard wave, Till from the trumpet's mouth is pealed The blast of triumph o'er thy grave.

THE LAND OF DREAMS.

A mighty realm is the Land of Dreams,

With steeps that hang in the twilight sky, And weltering oceans and trailing streams, That gleam where the dusky valleys lie.

But over its shadowy border flow

Sweet rays from the world of endless morn, And the nearer mountains catch the glow,

And flowers in the nearer fields are born.

The souls of the happy dead repair,

From their bowers of light, to that bordering land, And walk in the fainter glory there,

With the souls of the living hand in hand. One calm sweet smile, in that shadowy sphere, From eyes that open on earth no moreOne warning word from a voice once dearHow they rise in the memory o'er and o'er! Far off from those huils that shine with day, And fields that bloom in the heavenly gules, The Land of Dreams goes stretching away

To dimmer mountains and darker vales.

There lie the chambers of guilty delight,

There walk the spectres of guilty fear, And soft low voices, that float through the night, Are whispering sin in the helpless ear. Dear maid, in thy girlhood's opening flower, Scarce weaned from the love of childish play!

The tears on whose checks are but the shower
That freshens the early blooms of May!
Thine eyes are closed, and over thy brow
Pass thoughtful shadows and joyous gleams,
And I know, by thy moving lips, that now
Thy spirit strays in the Land of Dreams.
Light-hearted maiden, oh, heed thy feet!

O keep where that beam of Paradise falls, And only wander where thou may'st meet The blessed ones from its shining walls.

So shalt thou come from the Land of Dreams, With love and peace to this world of strife; And the light that over its border streams Shall lie on the path of thy daily life.

ROBERT OF LINCOLN.

Merrily swinging on brier and weed,
Near to the nest of his little dame,
Over the mountain-side or mead,
Robert of Lincoln is telling his name:
Bob-o'-link, bob-o'-link,

Spink, spank, spink;

Snug and safe is that nest of ours,
Hidden among the summer flowers.
Chee, chee, chee.

Robert of Lincoln is gaily drest,

Wearing a bright black wedding coat; White are his shoulders and white his crest, Hear him call in his merry note: Bob-o'-link, bob-o'-link,

Spink, spank, spink;

Look, what a nice new coat is mine,
Sure there was never a bird so fine.
Chee, chee, chee.

Robert of Lincoln's Quaker wife,

Pretty and quiet, with plain brown wings, Passing at home a patient life,

Broods in the grass while her husband sings: Bob-o'-link, bob-o'-link,

Spink, spank, spink;

Brood, kind creature, you need not fear

Thieves and robbers while I am here.
Chee, chee, chee.

Modest and shy as a nun is she:

One weak chirp is her only note. Braggart and prince of braggarts is he, Pouring boasts from his little throat: Bob-o'-link, bob-o'-link. Spink, spank, spink;

Never was I afraid of man;

Catch me, cowardly knaves, if you can. Chee, chee, chee.

Six white eggs on a bed of hay,

Flecked with purple, a pretty sight!
There as the mother sits all day,
Robert is singing with all his might:
Bob-o'-link, bob-o'-link,
Spink, spank, spink;
Nice good wife, that never goes out,
Keeping house while I frolic about.
Chee, chee, chee.

Soon as the little ones chip the shell
Six wide mouths are open for food;
Robert of Lincoln bestirs him well,
Gathering seeds for the hungry brood.
Bob-o'-link, bob-o'-link,
Spink, spank, spink:
This new life is likely to be
Hard for a gay young fellow like me.
Chee, chee, chee.

190

CYCLOPEDIA OF AMERICAN LITERATURE.

Robert of Lincoln at length is made

Sober with work, and silent with care;
Off is his holiday garment laid,
Half forgotten that merry air,
Bob-o'-link, bob-o'-link,
Spink, spank, spink;
Nobody knows but my mate and I
Where our nest and our nestlings lie.
Chee, chee, chee.

Summer wanes; the children are grown;
Fun and frolic no more he knows;
Robert of Lincoln's a humdrum crone;
Off he flies, and we sing as he goes:
Bob-o'-link, bob-o'-link,
Spink, spank, spink;

When you can pipe that merry old strain,
Robert of Lincoln, come back again.

1855.

Chee, chee, chee.

CORN-SHUCKING IN SOUTH CAROLINA-FROM THE LETTERS OF A

TRAVELLER.

BARNWELL District,

South Carolina, March 29,1843.

But you must hear of the corn-shucking. The one at which I was present was given on purpose that I might witness the humors of the Carolina negroes. A huge fire of light-wood was made near the cornhouse. Light-wood is the wood of the long-leaved pine, and is so called, not because it is light, for it is almost the heaviest wood in the world, but because it gives more light than any other fuel. In clearing land, the pines are girdled and suffered to stand: the outer portion of the wood decays and falls off; the inner part, which is saturated with turpentine, remains upright for years, and constitutes the planWhen a supply is wanted, ter's provision of fuel. one of these dead trunks is felled by the axe. The abundance of light-wood is one of the boasts of South Carolina. Wherever you are, if you happen to be chilly, you may have a fire extempore; a bit of light wood and a coal give you a bright blaze and a strong heat in an instant. The negroes make fires of it in the fields where they work; and, when the mornings are wet and chilly, in the pens where they are milkAt a plantation, where I passed a ing the cows. frosty night, I saw fires in a small inclosure, and was told by the lady of the house that she had ordered them to be made to warm the cattle.

The light-wood-fire was made, and the negroes dropped in from the neighboring plantations, singing The driver of the plantation, a coloras they came. ed man, brought out baskets of corn in the husk, and piled it in a heap; and the negroes began to strip the husks from the ears, singing with great glee as they worked, keeping time to the music, and now and then throwing in a joke and an extravagant burst of laughter. The songs were generally of a comic character; but one of them was set to a singularly wild and plaintive air, which some of our musicians would do well to reduce to notation. These are the words:

[blocks in formation]

I'm goin' away to Georgia,

Oh hollow!

[blocks in formation]

De cooter is de boatman.

John John Crow.

De red-bird de soger.
John John Crow.

De mocking-bird de lawyer.
John John Crow.

De alligator sawyer

John John Crow.

The alligator's back is furnished with a toothed ridge, like the edge of a saw, which explains the last line.

When the work of the evening was over the ne groes adjourned to a spacious kitchen. One of them took his place as musician, whistling, and beating time with two sticks upon the floor. Several of the men came forward and executed various dances, capering, prancing, and drumming with heel and toe upon the floor, with astonishing agility and perseverance, though all of them had performed their daily tasks and had worked all the evening, and some had walked from four to seven miles to attend From the dances a transition the corn-shucking. was made to a mock military parade, a sort of burlesque of our militia trainings, in which the words of command and the evolutions were extremely ludicrous. It became necessary for the commander to make a speech, and confessing his incapacity for public speaking, he called upon a huge black man named Toby to address the company in his stead. Toby, a man of powerful frame, six feet high, his face ornamented with a beard of fashionable cut, had hitherto stood leaning against the wall, looking upon the frolic with an air of superiority. He consented, came forward, demanded a bit of paper to hold in It was evihis hand, and harangued the soldiery. dent that Toby had listened to stump-speeches in his day. He spoke of " de majority of Sous Carolina," de honor of ole Ba'nde interests of de state," well district," and these phrases he connected by various expletives, and sounds of which we could make nothing. At length he began to falter, when the captain with admirable presence of mind came to his relief, and interrupted and closed the harangue with an hurrah from the company. Toby was allowed by all the spectators, black and white, to have made an excellent speech.

66

[ocr errors]

JOHN HOWARD BRYANT, the brother of the preceding, who has become known by his verses, chiefly descriptive of nature, was born at Cummington, July 22, 1807. His first poem, entitled My Native Village, appeared in 1826, in his brother's periodical, The United States Review. Having accomplished himself in various studies, in 1831 he emigrated to Illinois, where he established himself as a farmer, and where he has

« AnteriorContinuar »