Shakespearean Criticism, Volumen52Michelle Lee, Kathy D. Darrow Gale Research International, Limited, 2000 - 420 páginas Annotation For a convenient introduction to Shakespearean topics, plays and poems, start with this authoritative resource. Beginning with Volume 27, this illustrated series focuses on criticism published after 1960 and provides the reader with a thematic approach to Shakespeare's works. An introduction, criticism, annotated bibliography and cumulative index to topics help users organize their research, making diligent inquiry quick and easy. The series also offers an annual compilation of essays that represent the year's most noteworthy contributions to Shakespearean scholarship. |
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Página 142
... stage at intervals since the play's composition as edi- tors imply , it would surely have been possible for the pub- lisher , Matthew Lawe , to have obtained a fair copy pre- pared for stage use . ' The condition of the text of the ...
... stage at intervals since the play's composition as edi- tors imply , it would surely have been possible for the pub- lisher , Matthew Lawe , to have obtained a fair copy pre- pared for stage use . ' The condition of the text of the ...
Página 264
... stage direction that Richard should de- scend the throne in the course of the scene , a direction that Malone first proposed in 1790. Lyons says in a footnote , " Many Shakespearean editors omit the interpolated stage direction at line ...
... stage direction that Richard should de- scend the throne in the course of the scene , a direction that Malone first proposed in 1790. Lyons says in a footnote , " Many Shakespearean editors omit the interpolated stage direction at line ...
Página 329
... stage ( even the inner stage ) must be used to stage Thersites watching Ulysses watching Troilus watching Cressida and Diomed : and we watch them all . 23. Venus and Adonis , 11. 289-94 24. Bradbrook , Renaissance Drama , 84 n . 25 ...
... stage ( even the inner stage ) must be used to stage Thersites watching Ulysses watching Troilus watching Cressida and Diomed : and we watch them all . 23. Venus and Adonis , 11. 289-94 24. Bradbrook , Renaissance Drama , 84 n . 25 ...
Contenido
Morality in Shakespeares Works | 1 |
Richard II | 107 |
Richard III | 195 |
Derechos de autor | |
Otras 4 secciones no mostradas
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumen28 Vista de fragmentos - 1984 |
Términos y frases comunes
action Alcibiades Anne Anne's Antony Apemantus appears Arden argues audience authority auxesis bastard becomes body Bolingbroke Buckingham Cambridge character chard Claudius comedy conscience Coriolanus critics crown curse death deformity divine dramatic Duke edition Edward Elizabeth Elizabethan England English essay date evil father figure friends Gaunt gift economy give Hamlet hath Henry Henry VI Henry's Holinshed human Iago illegitimacy John kind King Lear King Richard lines London Lord Macbeth Machiavelli marriage meaning Measure for Measure ment metaphor misanthrope moral plays mother murder nature Othello paradox play's Poet political Prince Prospero Queen Renaissance rhetorical Rich Richmond role royal says scene seems sense sexual Shakespeare shame social soliloquy soul speak speech stage suggest symbol synecdoche Tempest theatrical thee theme things thou throne Timon of Athens tion tragedy tragic Tudor Univ University Press Vice virtue words York