 | 1884 - 640 páginas
...it is notorious how we " work ourselves up " to a climax by repeated outbreaks of expression. Refuse to express a passion, and it dies. Count ten before...is no mere figure of speech. On the other hand, sit all day in a moping posture, sigh, and reply to everything with a dismal voice, and your melancholy... | |
 | E. Janes - 1884 - 316 páginas
...it is notorious how we ' work ourselves up ' to a climax by repeated outbreaks of expression. Refuse to express a passion, and it dies. Count ten before...venting your anger, and its occasion seems ridiculous." (" Mind" for April, 1884.) However useful the practical suggestions which can be drawn from this view,... | |
 | E. Janes - 1885 - 122 páginas
...notorious how we 'work ourselves up' to a climax by repeated outbreaks of expression. Refuse to expres 1 '- a passion, and it dies. Count ten before venting your anger, and its occasion seems ridiculous." (" Mind" for April, 1884.) However useful the practical suggestions which can be drawn from this view,... | |
 | William James - 1890 - 726 páginas
...it is notorious how we ' work ourselves up ' to a climax by repeated outbreaks of expression. Refuse to express a passion, and it dies. Count ten before...is no mere figure of speech. On the other hand, sit all day in a moping posture, sigh, and reply to everything with a dismal voice, and your melancholy... | |
 | William James - 1908 - 722 páginas
...work ourselves up ' to a climax by repeated outbreaks of expression. Refuse to express a passioii, and it dies. Count ten before venting your anger,...is no mere figure of speech. On the other hand, sit all day in a moping posture, sigh, and reply to everything with a dismal voice, and your melancholy... | |
 | William James - 1892 - 534 páginas
...it is notorious how we 'work ourselves up' to a climax by repeated outbreaks of expression. Refuse to express a passion, and it dies. Count ten before...its occasion seems ridiculous. Whistling to keep up jourage is no mere figure of speech. On the other hand, sit all day in a moping posture, sigh, and... | |
 | William James - 1892 - 500 páginas
...it is notorious how we 'work ourselves up' to a climax by repeated outbreaks of expression. Eefuse to express a passion, and it dies. Count ten before...and its occasion seems ridiculous. Whistling to keep tip courage is no mere figure of speech. On the other hand, sit all day in a moping posture, sigh,... | |
 | Reuben Post Halleck - 1895 - 604 páginas
...; by inducing an expression, we can often cause its allied emotion. Professor James says : "Refuse to express a passion and it dies. Count ten before...is no mere figure of speech. On the other hand, sit all day in a moping posture, sigh, and reply to everything with a dismal voice, and your melancholy... | |
 | Stuart Henry Rowe - 1899 - 232 páginas
...rage, it is notorious how we work ourselves up to a climax by repeated outbreaks of expression. Refuse to express a passion, and it dies. Count ten before...seems ridiculous. Whistling to keep up courage is no figure of speech. On the other hand, sit all day in a moping posture, sigh, and reply to everything... | |
 | Edward Fry Bartholomew - 1902 - 296 páginas
...out of its own accord if fuel is not supplied. The words of Prof. James deserve to be heeded: "Refuse to express a passion, and it dies. Count ten before...is no mere figure of speech. On the other hand, sit all day in a moping posture, sigh, and reply to everything with a dismal voice, and your melancholy... | |
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Refuse to express a passion and it dies. Count ten before venting your anger, and its occasion seems ridiculous. Whistling to keep up courage is no mere figure of speech. On the other hand, sit all day in a moping posture, sigh, and reply to everything... 
