The Family Library (Harper)., Volumen181846 |
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Página 3
... VOLUME . Page 54 124 156 184 208 • 223 LIVES OF EMINENT PAINTERS . BENJAMIN WEST . THE life. CONTENTS OF BENJAMIN WEST . WILLIAM BLAKE JAMES BARRY JOHN OPIE • • • • • GEORGE MORLAND EDWARD BIRD . HENDY FUSELI • • 414215.
... VOLUME . Page 54 124 156 184 208 • 223 LIVES OF EMINENT PAINTERS . BENJAMIN WEST . THE life. CONTENTS OF BENJAMIN WEST . WILLIAM BLAKE JAMES BARRY JOHN OPIE • • • • • GEORGE MORLAND EDWARD BIRD . HENDY FUSELI • • 414215.
Página 183
... a Montrose . His strength lay in boldness of effect , simplicity of composition , in artless attitudes , and in the vivid portraiture of individual nature . GEORGE MORLAND . ers . GEORGE MORLAND , the eldest OPIE . 183.
... a Montrose . His strength lay in boldness of effect , simplicity of composition , in artless attitudes , and in the vivid portraiture of individual nature . GEORGE MORLAND . ers . GEORGE MORLAND , the eldest OPIE . 183.
Página 184
GEORGE MORLAND . ers . GEORGE MORLAND , the eldest son of Henry Robert Morland , was born in the Haymarket , London , on the 26th of June , 1763. He came of a race of paint- He was lineally descended from Sir Samuel Morland , an eminent ...
GEORGE MORLAND . ers . GEORGE MORLAND , the eldest son of Henry Robert Morland , was born in the Haymarket , London , on the 26th of June , 1763. He came of a race of paint- He was lineally descended from Sir Samuel Morland , an eminent ...
Página 185
... Morland resolved not only to share in the profits of his own talents , but also to snatch an hour or so of amusement , without consulting his father . When he made three drawings for his father , he made one secretly for himself , and ...
... Morland resolved not only to share in the profits of his own talents , but also to snatch an hour or so of amusement , without consulting his father . When he made three drawings for his father , he made one secretly for himself , and ...
Página 187
... Morland declared that his son George had refused to begin his copy till it was promised that no one should overlook him , and that he should act in the house as he thought proper . This coarse arrogance was submitted to - young Morland ...
... Morland declared that his son George had refused to begin his copy till it was promised that no one should overlook him , and that he should act in the house as he thought proper . This coarse arrogance was submitted to - young Morland ...
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Términos y frases comunes
admired Amelia Opie appeared artist Barry Barry's beauty Benjamin West Bird Blake brethren Burke called character colours companion compositions copy death Domenichino drawing easel eminent engravings excellence exclaimed exhibited eyes fame fancy father feeling Felpham finished formed fortune friends Fuseli gallery genius GEORGE MORLAND grace grave guineas hand happy Hassell Henry Fuseli historical honour imagination imbodied invention kind King labour lived London looked Lord Lord Grosvenor Majesty master merit Michael Angelo Milton mind Morland nation nature never Opie original painter painting pencil person picture Pindar poet poetic poetry portrait praise Prince Hoare productions Quaker racter Raphael Rembrandt Reynolds Rome Royal Academy says scene seemed Shakspeare Sir Joshua Sir Joshua Reynolds Sistine Chapel sketches skill spirit talents taste temper thing thought tion Titian tures visions West wife wild wish Wolcot young
Pasajes populares
Página 126 - What the hammer? What the chain? In what furnace was thy brain? What the anvil? What dread grasp Dare its deadly terrors clasp? When the stars threw down their spears, And water'd heaven with their tears, Did He smile His work to see? Did He who made the lamb make thee...
Página 131 - Drop thy pipe, thy happy pipe; Sing thy songs of happy cheer!" So I sang the same again, While he wept with joy to hear. "Piper, sit thee down and write In a book that all may read.
Página 150 - So the Lord blessed the latter end of Job more than the beginning...
Página 125 - Whether in heaven ye wander fair Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth...
Página 126 - TIGER! Tiger! burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry? In what distant deeps or skies Burnt the fire of thine eyes? On what wings dare he aspire? What the hand dare seize the fire? And what shoulder, and what art, Could twist the sinews of thy heart?
Página 142 - This is an awful thing to say to oil painters ; they may call it madness, but it is true. All the genuine old little pictures, called cabinet pictures, are in fresco and not in oil.
Página 141 - Colouring does not depend on where the Colours are put, but on where the lights and darks are put, and all depends on Form or Outline. On where that is put; where that is wrong, the Colouring never can be right; and it is always wrong in Titian and Correggio, Rubens and Rembrandt.
Página 232 - Peter's, scattered into infinity of jarring parts by Bramante and his successors, he concentrated ; suspended the cupola, and to the most complex gave the air of the most simple of edifices.
Página 143 - The characters of Chaucer's Pilgrims are the characters which compose all ages and nations: as one age falls, another rises, different to mortal sight, but to immortals only the same; for we see the same characters repeated again and again, in animals, vegetables, minerals, and in men; nothing new occurs in identical existence; Accident ever varies, Substance can never suffer change nor decay. Of Chaucer's characters, as described in his Canterbury Tales...
Página 143 - Belvidere, and all the grand works of ancient art. They were executed in a very superior style to those justly admired copies, being with their accompaniments terrific and grand in the highest degree. The Artist has endeavoured to emulate the grandeur of those seen in his vision, and to apply it to modern Heroes, on a smaller scale.