The Family Library (Harper)., Volumen181846 |
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Página 31
... design and the beauty of the colouring . " There is another noble Roman subject , " observed his Majesty , " the departure of Regulus from Rome - would it not make a fine picture ? " " It is a magnificent subject , " said the painter ...
... design and the beauty of the colouring . " There is another noble Roman subject , " observed his Majesty , " the departure of Regulus from Rome - would it not make a fine picture ? " " It is a magnificent subject , " said the painter ...
Página 48
... design were cautious and timid men , deficient in that lofty enthusiasm necessary for success in grand un- dertakings , and whose souls were not large enough to conceive and consummate a plan worthy of the rank and genius of the nation ...
... design were cautious and timid men , deficient in that lofty enthusiasm necessary for success in grand un- dertakings , and whose souls were not large enough to conceive and consummate a plan worthy of the rank and genius of the nation ...
Página 57
... fifteen years old- tradition is no accurate observer of dates - a book- seller in Cork had such confidence in his powers , that he employed him to make the designs — some add the etchings - for a small volume of tales BARRY . 57.
... fifteen years old- tradition is no accurate observer of dates - a book- seller in Cork had such confidence in his powers , that he employed him to make the designs — some add the etchings - for a small volume of tales BARRY . 57.
Página 59
... design . " With this work in his hand , Barry went to Dublin , and placed it among the paintings collecting for ex- hibition by the Society for the encouragement of Arts , Manufactures , and Commerce . He was at this time utterly ...
... design . " With this work in his hand , Barry went to Dublin , and placed it among the paintings collecting for ex- hibition by the Society for the encouragement of Arts , Manufactures , and Commerce . He was at this time utterly ...
Página 61
... were at this early period equally de- cided and just . " The colouring of Wilson is very masterly , " he observes , in one of his letters , " his VOL . II . - F style of design is more grand , more consistent , BARRY . 61 .
... were at this early period equally de- cided and just . " The colouring of Wilson is very masterly , " he observes , in one of his letters , " his VOL . II . - F style of design is more grand , more consistent , BARRY . 61 .
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Términos y frases comunes
admired Amelia Opie appeared artist Barry Barry's beauty Benjamin West Bird Blake brethren Burke called character colours companion compositions copy death Domenichino drawing easel eminent engravings excellence exclaimed exhibited eyes fame fancy father feeling Felpham finished formed fortune friends Fuseli gallery genius GEORGE MORLAND grace grave guineas hand happy Hassell Henry Fuseli historical honour imagination imbodied invention kind King labour lived London looked Lord Lord Grosvenor Majesty master merit Michael Angelo Milton mind Morland nation nature never Opie original painter painting pencil person picture Pindar poet poetic poetry portrait praise Prince Hoare productions Quaker racter Raphael Rembrandt Reynolds Rome Royal Academy says scene seemed Shakspeare Sir Joshua Sir Joshua Reynolds Sistine Chapel sketches skill spirit talents taste temper thing thought tion Titian tures visions West wife wild wish Wolcot young
Pasajes populares
Página 126 - What the hammer? What the chain? In what furnace was thy brain? What the anvil? What dread grasp Dare its deadly terrors clasp? When the stars threw down their spears, And water'd heaven with their tears, Did He smile His work to see? Did He who made the lamb make thee...
Página 131 - Drop thy pipe, thy happy pipe; Sing thy songs of happy cheer!" So I sang the same again, While he wept with joy to hear. "Piper, sit thee down and write In a book that all may read.
Página 150 - So the Lord blessed the latter end of Job more than the beginning...
Página 125 - Whether in heaven ye wander fair Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth...
Página 126 - TIGER! Tiger! burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry? In what distant deeps or skies Burnt the fire of thine eyes? On what wings dare he aspire? What the hand dare seize the fire? And what shoulder, and what art, Could twist the sinews of thy heart?
Página 142 - This is an awful thing to say to oil painters ; they may call it madness, but it is true. All the genuine old little pictures, called cabinet pictures, are in fresco and not in oil.
Página 141 - Colouring does not depend on where the Colours are put, but on where the lights and darks are put, and all depends on Form or Outline. On where that is put; where that is wrong, the Colouring never can be right; and it is always wrong in Titian and Correggio, Rubens and Rembrandt.
Página 232 - Peter's, scattered into infinity of jarring parts by Bramante and his successors, he concentrated ; suspended the cupola, and to the most complex gave the air of the most simple of edifices.
Página 143 - The characters of Chaucer's Pilgrims are the characters which compose all ages and nations: as one age falls, another rises, different to mortal sight, but to immortals only the same; for we see the same characters repeated again and again, in animals, vegetables, minerals, and in men; nothing new occurs in identical existence; Accident ever varies, Substance can never suffer change nor decay. Of Chaucer's characters, as described in his Canterbury Tales...
Página 143 - Belvidere, and all the grand works of ancient art. They were executed in a very superior style to those justly admired copies, being with their accompaniments terrific and grand in the highest degree. The Artist has endeavoured to emulate the grandeur of those seen in his vision, and to apply it to modern Heroes, on a smaller scale.