The Family Library (Harper)., Volumen181846 |
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Página 13
... imagination should catch the life and spirit of antiquity , he ought to have begun nearer the beginning . It is needless to expect a strong crop , when we have only scratched the surface of the soil . This While picking up those ...
... imagination should catch the life and spirit of antiquity , he ought to have begun nearer the beginning . It is needless to expect a strong crop , when we have only scratched the surface of the soil . This While picking up those ...
Página 20
... imagination who visit Rome , was always fond of describing his first im- pressions . He had walked on while his travelling companion was baiting the horses , and had reached a rising ground which offered him a view far and wide . The ...
... imagination who visit Rome , was always fond of describing his first im- pressions . He had walked on while his travelling companion was baiting the horses , and had reached a rising ground which offered him a view far and wide . The ...
Página 40
... imagination - in other words , genius . He advised them to give heart and soul wholly to art , to turn aside neither to the right nor to the left , but consider that hour lost in which a line had not been drawn nor a masterpiece studied ...
... imagination - in other words , genius . He advised them to give heart and soul wholly to art , to turn aside neither to the right nor to the left , but consider that hour lost in which a line had not been drawn nor a masterpiece studied ...
Página 41
the heavens . Replenished with these stores , your imagination will then come forth as a river collected from little ... imaginations were fit for flight , and fuel to the fire of genius , required higher powers . He had no unstudied ...
the heavens . Replenished with these stores , your imagination will then come forth as a river collected from little ... imaginations were fit for flight , and fuel to the fire of genius , required higher powers . He had no unstudied ...
Página 42
... imagination , could barely live ; and Opie had been taught the severe though common lesson , that nothing is so unstable as the patronage of the powerful . The very calmness and moderation with which the King's historical painter ...
... imagination , could barely live ; and Opie had been taught the severe though common lesson , that nothing is so unstable as the patronage of the powerful . The very calmness and moderation with which the King's historical painter ...
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Términos y frases comunes
admired Amelia Opie appeared artist Barry Barry's beauty Benjamin West Bird Blake brethren Burke called character colours companion compositions copy death Domenichino drawing easel eminent engravings excellence exclaimed exhibited eyes fame fancy father feeling Felpham finished formed fortune friends Fuseli gallery genius GEORGE MORLAND grace grave guineas hand happy Hassell Henry Fuseli historical honour imagination imbodied invention kind King labour lived London looked Lord Lord Grosvenor Majesty master merit Michael Angelo Milton mind Morland nation nature never Opie original painter painting pencil person picture Pindar poet poetic poetry portrait praise Prince Hoare productions Quaker racter Raphael Rembrandt Reynolds Rome Royal Academy says scene seemed Shakspeare Sir Joshua Sir Joshua Reynolds Sistine Chapel sketches skill spirit talents taste temper thing thought tion Titian tures visions West wife wild wish Wolcot young
Pasajes populares
Página 126 - What the hammer? What the chain? In what furnace was thy brain? What the anvil? What dread grasp Dare its deadly terrors clasp? When the stars threw down their spears, And water'd heaven with their tears, Did He smile His work to see? Did He who made the lamb make thee...
Página 131 - Drop thy pipe, thy happy pipe; Sing thy songs of happy cheer!" So I sang the same again, While he wept with joy to hear. "Piper, sit thee down and write In a book that all may read.
Página 150 - So the Lord blessed the latter end of Job more than the beginning...
Página 125 - Whether in heaven ye wander fair Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth...
Página 126 - TIGER! Tiger! burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry? In what distant deeps or skies Burnt the fire of thine eyes? On what wings dare he aspire? What the hand dare seize the fire? And what shoulder, and what art, Could twist the sinews of thy heart?
Página 142 - This is an awful thing to say to oil painters ; they may call it madness, but it is true. All the genuine old little pictures, called cabinet pictures, are in fresco and not in oil.
Página 141 - Colouring does not depend on where the Colours are put, but on where the lights and darks are put, and all depends on Form or Outline. On where that is put; where that is wrong, the Colouring never can be right; and it is always wrong in Titian and Correggio, Rubens and Rembrandt.
Página 232 - Peter's, scattered into infinity of jarring parts by Bramante and his successors, he concentrated ; suspended the cupola, and to the most complex gave the air of the most simple of edifices.
Página 143 - The characters of Chaucer's Pilgrims are the characters which compose all ages and nations: as one age falls, another rises, different to mortal sight, but to immortals only the same; for we see the same characters repeated again and again, in animals, vegetables, minerals, and in men; nothing new occurs in identical existence; Accident ever varies, Substance can never suffer change nor decay. Of Chaucer's characters, as described in his Canterbury Tales...
Página 143 - Belvidere, and all the grand works of ancient art. They were executed in a very superior style to those justly admired copies, being with their accompaniments terrific and grand in the highest degree. The Artist has endeavoured to emulate the grandeur of those seen in his vision, and to apply it to modern Heroes, on a smaller scale.