App. Macbeth! Macbeth! Macbeth! beware Macduff; Beware the thane of Fife.-Dismiss me:-Enough 20. [Descends. Macb. Whate'er thou art, for thy good caution, thanks; Thou hast harp'd 21 my fear aright:-But one word more: 1 Witch. He will not be commanded: Here's another, More potent than the first. Thunder. An Apparition of a bloody Child rises. Macbeth! Macbeth! Macbeth! App. Macb. Had I three ears, I'd hear thee 22. App. Be bloody, bold, of man, power And resolute: laugh to scorn the [Descends. Macb. Then live, Macduff; What need I fear of thee? But yet I'll make assurance double sure, 20 Spirits thus evoked were supposed to be impatient of being questioned. The spirit in the Second Part of King Henry the VIth, Act iv. Sc. 1, says: 'Ask what thou wilt:-That I had said and done.' 21 Harp'd, touched on a passion as a harper touches a string. 22 Had I three ears, I'd hear thee.' This singular expression probably means no more than 'I will listen to thee with all attention.' So Ho 23 For none of woman born shall harm Macbeth.' linshed:-' And surely hereupon he had put Macduff to death, but that a certeine witch, whom he had in great trust, had told him, that he should never be slaine with man borne of anie woman, nor vanquished till the wood of Bernane came to the castle of Dunsinane. This prophecy put all fear out of his heart.' Thunder. An Apparition of a Child crowned, with a Tree in his Hand, rises. That rises like the issue of a king; And wears upon his baby brow the round All. Listen, but speak not to't. App. Be lion-mettled, proud; and take no care Who chafes, who frets, or where conspirers are; Macbeth shall never vanquish'd be, until Great Birnam wood to high Dunsinane hill 25 Macb. [Descends. That will never be; Who can impress the forest 26; bid the tree Unfix his earth-bound root? sweet bodements! good! Rebellious head 27, rise never, till the wood 24 The round is that part of a crown which encircles the head: the top is the ornament which rises above it. 25 The present accent of Dunsinane is right. In every subsequent instance the accent is misplaced. Thus in Hervey's Life of King Robert Bruce, 1729, which Ritson thinks a good authority "Whose deeds let Birnam and Dunsinnan tell, When Canmore battled and the villain fell.' Andrew of Wyntoun uses both accents. Prophecies of apparent impossibilities were common in Scotland; such as the removal of one place to another, &c. Thus Sir D. Lindsay: "Quhen the Bas and the Isle of May Beis set upon the Mount Sinay, Be liftit to Northumberland.' 26 i. e. command it to serve him like a soldier impressed. 27 6 Rebellious head. The old copy reads dead; the emendation is Theobald's. Can tell so much), shall Banquo's issue ever All. Seek to know no more. Macb. I will be satisfied: deny me this, And an eternal curse fall on you! Let me know:Why sinks that cauldron? and what noise 28 is this? [Hautboys. 1 Witch. Show! 2 Witch. Show! 3 Witch. Show! All. Show his eyes, and grieve his heart29; Come like shadows, so depart. Eight Kings appear, and pass over the Stage in order; the last with a Glass in his Hand; BANQUO following. Macb. Thou art too like the spirit of Banquo; down! Thy crown does sear mine eyeballs:-And thy hair, Thou other gold-bound brow, is like the first: A third is like the former :-Filthy hags! Why do you show me this ?-A fourth ?-Start, eyes! What! will the line stretch out to the crack of doom 30? Another yet?-A seventh?—I'll see no more:And yet the eighth appears, who bears a glass 31, 31 28 Noise in our old poets is often literally synonymous for music. Vide a note on the Second Part of King Henry IV. Act ii. Sc. 4. 29 Show his eyes, and grieve his heart.' And the man of thine, whom I shall not cut off from mine altar, shall be to consume thine eyes, and to grieve thine heart.'-1 Samuel, ii. 33. 30 i. e. the dissolution of nature. merly synonymous. Crack and crash were for 31 This method of juggling prophecy is referred to in Measure for Measure, Act ii. Sc. 8: Looks in a glass, and shows me future evils.' In an extract from the Penal Laws against witches, it is said they do answer either by voice, or else set before their eyes in glasses chrystal stones, &c. the pictures or images of the per Which shows me many more; and some I see, For the blood-bolter'd 33 Banquo smiles upon me, I'll charm the air to give a sound, Our duties did his welcome pay. [Musick. The Witches dance, and vanish. sons or things sought for.' Spenser has given a circumstantial account of the glass which Merlin made for King Ryence.Faerie Queene, b. iii. c. 2. A mirror of the same kind was presénted to Cambuscan, in the Squire's Tale of Chaucer: and we are told that a certaine philosopher did the like to Pompey, the which shewed him in a glasse the order of his enemies march.' -Boisteau's Theatrum Mundi, translated by John Alday, b. l. no date. 32 That twofold balls and treble sceptres carry.' This was intended as a compliment to James the First: he first united the two islands and the three kingdoms under one head, whose house too was said to be descended from Banquo, who is therefore represented not only as innocent, but as a noble character; whereas, according to history, he was confederate with Macbeth in the murder of Duncan. 33 In Warwickshire, when a horse, sheep, or other animal, perspires much, and any of the hair or wool, in consequence of such perspiration, or any redundant humour, becomes matted into tufts with grime and sweat, he is said to be boltered; and whenever the blood issues out and coagulates, forming the locks into hard clotted bunches, the beast is said to be blood-boltered. When a boy has a broken head, so that his hair is matted together with blood, his head is said to be boltered [pronounced baltered]. The word baltereth is used in this sense by Philemon Holland in his Translation of Pliny's Natural History, 1601, b. xii. c. xvii. p. 370. It is therefore applicable to Banquo, who had 'twenty trenched gashes on his head.' 34 i. e. spirits. It should seem that spirits was almost always pronounced sprights or sprites by Shakspeare's cotemporaries. 35 Antique was the old spelling for antick. VOL. IV. C C Macb. Where are they? Gone?-Let this per nicious hour Stand aye accursed in the calendar!— Come in, without there! Len. No, indeed, my lord. Macb. Infected be the air whereon they ride; And damn'd all those that trust them!-I did hear The galloping of horse: Who was❜t came by? Len. "Tis two or three, my lord, that bring you word, Macduff is fled to England. Macb. Len. Ay, my good lord. Fled to England? Macb. Time, thou anticipat'st 36 my dread exploits: The flighty purpose never is o'ertook, Unless the deed go with it: From this moment, The firstlings of my hand. And even now To crown my thoughts with acts, be it thought and done: The castle of Macduff I will surprise; Seize upon Fife; give to the edge o'the sword That trace 37 him in his line. No boasting like a fool: purpose cool: But no more sights!—Where are these gentlemen? Come, bring me where they are. [Exeunt. 36 i. e. preventest them, by taking away the opportunity. 37 i. e. follow, succeed in it. |