in Divinity, quoted, 48, 52, 53, 54, 55, 59, 60, 62, 100. Hill, the Rev. Rowland, his Warning to Professors, quoted, 45, 91, Roman History, 161. Objects to Oratorios, 184. Home, a Poem, instance of suicide in it, 171. Honour, set up in opposition to Christianity, 33, 164. Horace, his opinion of the Stage, 107. Horne, Bishop, his Essays and Thoughts, quoted, 85, 197, 200, 201. Sermon on Church music, 185. On taking up the cross, 191. On the duty of contending for I. Inchbald, Mrs. 193, 234. see, Such Things Are, To Marry or not Invocations of Poets, remarks on, 129, 132. Izzard, Anne, accused of being a Witch, 146. Jesting, how far lawful, 44, &c. J. Jesus Christ, Said of him, that he was never known to laugh, 52. His Johnson, Dr. Samuel, his opinion of making light of Scripture phrases, 207. Jones, Sir William, writes Hymns to the Hindu gods, 77, Note. Jonson, Ben, his remorse for his profane writings, 211. K. Kemble, Mr. his conversation with Dr. Johnson on the subject of Laughter, considered as good for man, 53. Law, William, his Tract on The Absolute unlawfulness of the Stage Tillotson's opinion in favour of an amended Stage, 22. His Literary Panorama, its review of The Comedy of The World, 261. London, (Porteus) Bishop of, His opinion of the Stage, 115. Inter- Louisa, Song of, instance of Suicide, 172. Love, the leading subject of our plays, 31, 160. Introduced in bad Lowth's Lectures on Hebrew Poetry, quoted, 11, 52. Loyally, taught by the Stage, 41, 182. M. Magdalen Hospital, 245, 252. Magistrates, their duties with respect to the Stage, 96, 258, Managers of Theatres, their duties, 70, &c. 209, &c. Instance of character required, 262. Manlius, the Patrician, expelled the Roman Senate, 161. Marriage, improperly treated on the Stage, 32, 163. 1 Respected by Cæsar, 104. Menander, quoted by St. Paul, 13. Reforms the Greek Stage, 221. Miller, Mrs. her Letters from Italy, quoted, 85. Milton, his opinion of the Stage, 104. Invocations in Paradise Lost, Ministers, Christian, called upon to shew people their duty in every Miseries of Human Life, 198. Antidote to ditto, 198. Molierre, Morality of his Satire, 200. More, Mrs. Hannah, Preface to her Tragedies, quoted, 33, 34, 147, 138. Attributes Budgel's death to the Stage, 167. Her Excellent models for Her character as a Poet, 217. Her character opinion of The Stranger, 240, &c. 242. See Percy. Moreland, the Painter, his paintings of humble life, 188. Morning Chronicle, Newspaper, quoted, 224. Morton, Thomas, Esq. 234, see School of Reform, Cure for the N. Nathan's Parable, 102. Newton, Rev. John, his objections to Oratorios, 185. O. Observations on the Effect of Theatrical Representations, &c. a Pam- Opera, when performed at Turin, previously read by the King, if Oratorios, 10, 40, 147. Objections to them, 184, 185. Favour- Orthodox Churchman's Magazine, quoted, Letter on Patronage, 21. Orton, Job, his Exposition of the Old Testament, quoted, 11. His Owen, Dr. Charles, his Conduct of the Stage considered, quoted, 9, P. Painting made use of as a mean of instruction by divine authority, 101. Paley, Dr. his Moral Philosophy, quoted, 39. Parables, Nathan's, 102. Christ's, 102. Parkhurst, John, his Greek Lexicon, quoted, 55, 207. Patience, the moral of most plays, 183. Bishop Horne's Sermon on, 184. Perigo, William, case of, instance of witchcraft, 146. Philanthropy, taught by the Stage, 41, 82. Pitt, William, Elegy on, profane expressions in it, 129. Player, the Profession, how far lawful, 17, 86, &c. 236. Formerly of Playhouse see Stage. G G Playhouse Pocket Companion, quoted, respecting the corruptions of the Plays, the influence of them, 5. See Stage; also separate List. Plumptre, James, his Collection of Songs referred to, 109, 117, 122, Poets, quoted by St. Paul, 13. Pope, Ode on St. Cecilia's Day, 130. Messiah, 131. 198. Powell, the Conjurer, 145. His Satires, Prayers on the Stage, improper ones, 29, 148, proper, 29, 149, &c. Prizes, Subject of the middle Bachelors' at Cambridge, in the year 1808, 5. Profligacy, encouraged by the Stage, 33. Prologue and Epilogue, proper use of them, 176. Prophecies, introduced on the Stage, 30, 155. Providence, Fate and Fortune put instead of it, 27, 135, &c. Caution what we attribute to it, 170, 219. Psalms, some of them of a dramatic form, 9. Pursuits of Literature, 198. R. Rapin, his opinion of the Stage, 107. Reason, the test of Ridicule, 57, 58. Reformation, the, effected by amending, not by extermination, 14. Not to be expected all at once, 258. Refutation of Heywood's Apology for Actors, quoted, 9. Registers, Theatrical, account of the number of Plays acted at the Reviewers, their duties with respect to the Stage, 96, 260, &c. |