ing both to the spiritual and temporal wants of his poor flock, considerably affected his health. His gradual decay became visible to his parishioners, and some of them made affectionate private representations to his friends, who tried to withdraw him from the laborious duties of his parish for the recovery of his health. His character as a parish-priest will be contemplated with more delight than his genius as a poet, or eloquence as a preacher. It is thus delineated by a friend :-'As he passed by, all the poor people and children ran to the doors to welcome him with looks and expressions of the most ardent affection, and with all that wild devotion of gratitude so characteristic of the Irish peasantry. Many fell on their knees, invoking blessings on him, and making the most anxious inquiries about his health. He was sensibly moved by this manifestation of feeling, and met it with all that heartiness of expression, and that affectionate simplicity of manner, which made him as much an object of love as his exalted virtues rendered him an object of respect. The intimate knowledge he seemed to have of all their domestic histories, appeared from the short but significant questions he put to each individual as he hurried along, while at the same time he gave a sketch of the particular characters of several who presented themselves, pointing with a sigh to one, and to another with looks of satisfaction and fond congratulations. It was indeed impossible to behold a scene like this, which can scarcely be described without the deepest but most pleasing emotions. It seemed to realize the often-imagined picture of a primitive minister of the gospel of Christ living in the hearts of his flock, willing to spend and to be spent upon them, enjoying the happy interchange of mutual affection, and affording a pleasing proof that a faithful and firm discharge of duty, when accompanied by kindly sympathies and gracious manners, can scarcely fail to gain the hearts of the humble ranks of the people.' It was with extreme reluctance that Mr Wolfe, on the entreaty of his friends, left this poor and affectionate people to seek the restoration of his health in the south of France. He made a short recovery, but relapsed on his return to Ireland, and died in 1823, in the 32d year of his age, of deep consumption. What better blessing can be desired for Ireland, than that each of its parishes possessed a Charles Wolfe!" ODE ON THE BURIAL OF SIR JOHN MOORE. NOT a drum was heard, not a funeral note, As his corse to the rampart we hurried; Not a soldier discharged his farewell shot O'er the grave where our hero we buried. We buried him darkly at dead of night, No useless coffin enclosed his breast, Not in sheet or in shroud we wound him ; But he lay like a warrior taking his rest, With his martial cloak around him. Few and short were the prayers we said, But we steadfastly gazed on the face that was dead, We thought, as we hollowed his narrow bed, That the foe and the stranger would tread o'er his head, And we far away on the billow! Lightly they'll talk of the spirit that's gone, But half of our heavy task was done, When the clock struck the hour for retiring; Slowly and sadly we laid him down, From the field of his fame fresh and gory; VERSES. IF I had thought thou couldst have died, But I forgot, when by thy side, And still upon that face I look, But when I speak-thou dost not say, If thou wouldst stay, e'en as thou art, I still might press thy silent heart, I do not think, where'er thou art, And I, perhaps, may soothe this heart, Yet there was round thee such a dawn WILLIAM CULLEN BRYANT. BRYANT's poetry displays a chastened delicacy and simplicity, both in the expression and sentiment, which is equally uncommon and delightful. He possesses a refined fancy and a pure, exquisite taste. His descriptions from nature are executed with a quiet accuracy, and with great freshness and originality. He is soft and sweet in the colouring of his language, graceful in his imagery, and not being profuse of ornament, whatever he uses is select and appropriate, and gives a native richness to his compositions which we would not wish to see diminished or increased. Thanatopsis is the finest specimen of his genius. Its spirit is like that of Wordsworth, but yet richer; and it may rank with the most elevated productions of the English poet. Bryant's strains are all of them beautifully pure in their moral influence, inspiring the heart with a true love of nature, and a reverence for religion. THE WESTERN WORLD. LATE from this western shore, that morning chased The deep and ancient night, that threw its shroud O'er the green land of groves, the beautiful waste, Nurse of full streams, and lifter up of proud Sky-mingling mountains that o'erlook the cloud. Erewhile, where yon gay spires their brightness rear, Trees waved, and the brown hunter's shouts were loud Amid the forest; and the bounding deer Fled at the glancing plume, and the gaunt wolf yell'd near. And where his willing waves yon bright blue bay Then, all his youthful paradise around, And all the broad and boundless mainland lay, Cool'd by the interminable wood, that frown'd O'er mound and vale, where never summer ray Glanced, till the strong tornado broke his way Through the gray giants of the sylvan wild; Yet many a shelter'd glade, with blossoms gay, Beneath the showery sky and sunshine mild, Within the shaggy arms of that dark forest smiled. There stood the Indian hamlet, there the lake Not unavenged-the foeman, from the wood, Look now abroad-another race has fill'd New colonies forth, that toward the western seas Here the free spirit of mankind at length TO A WATERFOWL. WHITHER, midst falling dew, While glow the heavens with the last steps of day Vainly the fowler's eye Might mark thy distant flight to do thee wrong, Seek'st thou the plashy brink Of weedy lake, or marge of river wide, There is a Power, whose care Lone wandering, but not lost. All day thy wings have fann'd And soon that toil shall end, |