20.

I 20.

Equity, Falstaff and, Judge Phelps's | Henry the Sixth, the Three Parts of,
Paper on, 159-193;

49.
FALSTAFF and Equity, Judge Phelps's Charles W. Thomas's Essay on, 49–
Study of, 159-193.

99.
Familiar Quotations, Řeview of Bart Horn, Franz, His Shakespearian Criti-
lett's, 57.

cism, 86.
Faulconbridge, Shakespeare Makes "Hue and Cry After Cupid," Masque
Over Character of, 53.

by Ben Jonson and Inigo Jones,
Field, B. Rush, His Paper on Field-

ing's Use of Shakespeare, 248. Hubert, How Shakespeare Improved
Fielding, His Unconscious Use of the

Character of, 53.
Plays, 248.

Humphrey, Name of One of Shake-
Fourth Sex, Is There a ? 60.

speare's Actors, 111.
French and English, Difference Be Hymen, Masque of, see Masque of Hy-
tween Dramatic Taste, 45.

men.
More Sedulous of Elegances of IBSEN, Henrik, His Dramatic Con-
Life, 41.

struction, Compared with Shake-
French Art, Formerly More Conven-

speare's, 3.
tional than English. 43.

A Lyrical Rather Than Dramatic
French Taste Exemplified in Criti-

Poet, 3.
cism of Shakespeare, 36–37.

Learns His Dramatic Form from
Fuller, Thomas, His Statements as to

Stage Exigencies, 3-15.
Falstaff and Oldcastle, 109.

Dr. Price's Review of His Hedda
Furness, Dr. H. H., Review of His Va-

Gabler, 3.
riorum Edition of The Tempest, Imitation and Representation, Wide

Difference Between, 44.
GABLER, Hedda, Dr. Price's Review of JOAN of Arc, Shakespeare's Treatment
Ibsen's, 3.

of, 102, 103.
of the Play ,

Jones, Inigo, Life of, 16.
Gabriel, Name of One of Shakespeare's His Letter to Lord Arundel, 67.
Actors, III.

Quarrel with Ben Jonson, 69, 71.
Garrick, David, His Absurd Shake Arrives in England, 17.
speare Jubilee, 235.

First Services Performed for James
Gautier, Théophile, His Epigram as to

I., 18.
French Character, 42.

Architectural Triumphs of, 72–77.
German Critics of Shakespeare, Grant Sepulchre and Epitaph, 76.
White's Description of, 49.

Compounds for Privilege of Meat
Often Trivial, 83.

in Lent, 75.
Gonzago, The Murder of, in Hamlet, is Johnson, Dr. Samuel, His Reply to
a Specimen of the Interlude, 50.

Voltaire's Criticism on Shake-
Greene, Richard, Alleged Portion in

speare, 43.
Authorship of the Henry VI., His Own Criticism on Shakespeare,
106.

37.
Guizot, M., Revises Le Tourneur's John, King, see king John.

Translation of Shakespeare, 93 Jonson, Ben, His Quarrel with Inigo
HALL, Dr. John, His Medical Manu-

Jones, 69.
script, 190.

His Masque of Blackness, 18.
Hallam, George, Contributions to a His Masque of Hymen, 19.

History of Shakespearian Criti His Masque of Beauty, 19.
cism, 30–79.

" Jubilee,” The Absurd Garrick-Shake-
Halliwell-Phillipps, J. O., His Theory

speare, 235
as to Three Parts of Henry VI., KING John, the Old and the Later, by

Appleton Morgan, 47.
Memorial Window to, Engraving An Example of Shakespeare as an
to face p. 131.

Adapter, 47.
Hamlet, The Supernatural in, 226.

Holinshed and Hall's Description
Hamlet, Goethe's Criticism of, 86.
Voltaire's. 41.

LESSING, His Shakespearian Criticism,
Heine, Heinrich, Compared with Ib-
sen, 4.

Lowell, James Russell, Review of His
Henry the Fourth, Coincidence Be Theory of Richard III., 117.

tween Stationers' Entry of and Le Tourneur, First French Translator
Chancellor's Decision, 197.

of Shakespeare, 39,
Henry the Fifth, “The Famous Vic Lozier, Mrs. J. de la M., Elected Pres-
tories of," 50.

ident of Avon Club, 175.

of, 51.

83.

die, 107

Lawrence, L. L., Her Paper Concerning | Pericles, Appleton Morgan's Criticism
the Mulberry Tree, 171.

on, 63.
Love's Labour's Lost, Example of Shake Periods, Four, in Shakespeare Criti-
speare's Revision in, 47.

cism, 30.
Macbeth, The Supernatural in, 226. Phelps, Hon. Charles E., His Paper on
Midsummer Night's Dream, The Super-

Falstaff and Equity, 159.
natural in, 219.

Philistinism, Alleged, in American
Marlowe, Christopher, Alleged Part Au-

Shakespeare Study, 97.
thor of the Henry VI., 106. Poetry Is a Departure from Nature, 43.
Master of the Revels Cuts Part of Police, Critics are the, of Literature, 31.

Vitruvius Hoop Out of Jonson's Portington, William, Devises Mechani-
Masque, 71.

cal Effects for a Masque by Jon-
Masque, Expensive Character of a, 22.

son, 20.
Masque, The, of Beauty, 20.

Pott, Mrs. Henry, Her Conception of a
Of Blackness, 18.

“ Parallelism," 119.
Inigo Jones Devises Scenery for, Price, Thomas R., Criticism on Ibsen,
18.

3.
Of Hymen, by Jonson and Jones, Prior, Sir James, Describes a Shake-
19.

speare Craze, 97.
List of Those for which Inigo Proof Correction, Specimen of Early,
Jones Devised Scenery, 20.

89.
Memorial Library, see Stratford-on-

Publishers of the Shakespeare Quartos,
Avon.

List of the, 124.
Memorial Window, View of, to J. O. Puff, Mr., His Dramatic Clock, 55.

Halliwell-Phillipps, to face p. 131. Quarrel Between Inigo Jones and Ben
Meres, Francis, List of, Does not Men-

Jonson, 71.
tion Contention or True Trage Quarto Publishers, List of, see Publish-

ers of Quartos.
Merry Wives of Windsor, the Play an Quickly, Mistress, Mr. Reynolds' Pa-
Example of Stage Growth, 43.

per Concerning, 238.
Molière, Compared with Shakespeare REPRESENTATION and Imitation, Dif-
and Ibsen, 3, 4.

ference Between, 44.
Moratin, the Spanish Critic of Shake Restorations at Stratford-upon-Avon,

123, note.
Morgan, Appleton, proposes a Test Richard II., Stationers, Entry of, 200
for Determining a Shakespear-

note.
ian Authorship, ill.

Roister Doister, Ralph, the author of,
As to Shakespeare and Cade, 102.

Mr. Trant's Paper upon, 42.
As to Shakespeare and Joan of SALLET, Cade's Pun upon the Word,

105.
As to Falstaff and Oldcastle, 108. Sardou, Victorien, Negatives French
His Statement to Result of

Dramatic Canons, 76.
Shakespearian Study, 128.

speare, 82.

Arc, 103.

as

Stratford-on-Avon, Birthday Memorial | Tourneur, Le, First French Translator
Services at, 188.

of Shakespeare, 39.
Report of Shakespeare Memorial Trant, William, on the Author of
at, 188.

Royster Doyster, 142.
Supernatural, The, in Shakespeare, 213. Troilus and Cressida, An Unsuccess-
in The Tempest, 219.

ful Shakespearian Play, 47.
in A Midsummer Night's Dream, “ Troublesome Reigne, The," Rewrit-
219.

ten by Shakespeare, 52.
in Hamlet, 226.

Converted into a Dramatic Suc-
in Macbeth, 226.

cess, 52.
TALBOT, The Family of, Appleton Mor- “ True Tragedie," the Authorship of,
gan's Conjecture as to Shake-

99-106, see Henry VI.
speare's Relations with, III. Two Honourable Houses, Masque of
“ Tale of a Tub,” Jonson's Libel on

the, 20.
Inigo Jones, 91.

Tyler Thomas, Theory as to Three Parts
Tamburlaine, Tragedy of, Date of Mar-

of Henry VI., 100.
lowe's, 56.

UDAL, Nicholas, see Roister Doister,
Tank Drama, The, Foreshadowed by

Author of.
Mr. Crummle's Pump, 44.

VOLTAIRE, Arouet de, His Criticisms
Taste, French and English, Difference

of Shakespeare, 49.
Between, 45.

Remonstrance to French Acade-
Tawyer, Name of One of Shakespeare's my Against, 40.
Actors, 112.

War, The, Between the Courts, 185.
Tempest, The Supernatural in, 217. White, Richard Grant, Criticism of
Theatre, Modern, for Amusement, not

Three Parts of Henry VI., 99-
Instruction, 32.

105.
Thomas, Charles W., Paper on Three Epigram Concerning German Crit-
Parts of Henry VI., 99.

icism, 48.
Titus Andronicus, Example of Shake | Wieland. His Translation of Shake-
speare's Earliest Dramatic Tal-

speare, 83.
ent, 47.

Will, Last, of Inigo Jones, 17.
Tomb, Delia Bacon's Visit to Shake Wilson, Jack. One of Shakespeare's
speare's, 162.

Actors, 112.

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