| Dimitris Eleftheriotis, Gary Needham - 2006 - 496 páginas
Asian cinema is an area of increasing interest in Anglo-US film studies while Asian films are now widely distributed and popular with western audiences. The fascination with ... | |
| Ben Goldsmith, Tom O'Regan - 2005 - 252 páginas
The Film Studio sheds new light on the evolution of global film production, highlighting the role of film studios worldwide. The authors explore the contemporary international ... | |
| Malte Hagener - 2007 - 384 páginas
Moving Forward, Looking Back is the first concise and critical overview of the European film avant-garde of the 1920's and 1930's. | |
| Gary G. Xu - 2007 - 192 páginas
Sinascape: Contemporary Chinese Cinema is a comprehensive study of Chinese-language films at the turn of the millennium. Emphasizing the transnational nature of contemporary ... | |
| Stefan Berger, Linas Eriksonas, Andrew Mycock - 2008 - 368 páginas
A sustained and systematic study of the construction, erosion and reconstruction of national histories across a wide variety of states is highly topical and extremely relevant ... | |
| Dimitris Eleftheriotis, Gary Needham - 2006 - 490 páginas
The West’s current fascination with Asian cinema must be viewed in the context of a complex and often problematic relationship between Western scholars, students, viewers, and ... | |
| Sheldon H. Lu, Emilie Yueh-yu Yeh - 2005 - 444 páginas
A comprehensive work on Chinese film, this text explores the manifold dimensions of the subject and highlights areas overlooked in previous studies. Leading scholars take up ... | |
| Steven Ricci - 2008 - 249 páginas
This study considers Italian filmmaking during the Fascist era and offers an original and revealing approach to the interwar years. Steven Ricci directly confronts a long ... | |
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