The Lives of the Most Eminent British Painters and Sculptors, Volumen2Harper, 1833 |
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Página 96
... round the terminal figure of Pan . On one side appears the father of the harvest feast , with a white staff or rustic sceptre in his hand , accompanied by his wife ; on the other is a group of peasants , carousing amid rakes and ploughs ...
... round the terminal figure of Pan . On one side appears the father of the harvest feast , with a white staff or rustic sceptre in his hand , accompanied by his wife ; on the other is a group of peasants , carousing amid rakes and ploughs ...
Página 98
... round the darken'd walls of the Adelphi , —in the belief that the subject would unfold and brighten upon him by degrees . But the sunrise of knowledge , and the full day of art and science , involved discoveries and inventions which ...
... round the darken'd walls of the Adelphi , —in the belief that the subject would unfold and brighten upon him by degrees . But the sunrise of knowledge , and the full day of art and science , involved discoveries and inventions which ...
Página 109
... round it were placed the studies of the Six Pictures of the Adelphi . There were likewise old straining frames - old sketches - a printing press , in which he printed his plates with his own hand- the labours too of the spider abounded ...
... round it were placed the studies of the Six Pictures of the Adelphi . There were likewise old straining frames - old sketches - a printing press , in which he printed his plates with his own hand- the labours too of the spider abounded ...
Página 110
... round it there pro- jected a fringe of his own gray hair . He lived alone in a house which was never cleaned ; and he slept on a bedstead with no other furniture than a blanket nailed on the one side . I wanted him to visit me - no , he ...
... round it there pro- jected a fringe of his own gray hair . He lived alone in a house which was never cleaned ; and he slept on a bedstead with no other furniture than a blanket nailed on the one side . I wanted him to visit me - no , he ...
Página 135
... round the verses of a grave divine . In the exube- rance of Young there are many fine figures ; but they are figures of speech only , on which art should waste none of its skill . This work was so much , in many parts , to the ...
... round the verses of a grave divine . In the exube- rance of Young there are many fine figures ; but they are figures of speech only , on which art should waste none of its skill . This work was so much , in many parts , to the ...
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The Lives of the Most Eminent British Painters and Sculptors Allan Cunningham Sin vista previa disponible - 2019 |
Términos y frases comunes
admired Amelia Opie appeared artist Barry Barry's beauty Benjamin West Bird Blake brethren Burke called character colours companion compositions copy death Domenichino drawing easel eminent engravings excellence exclaimed exhibited eyes fame fancy father feeling Felpham finished formed fortune friends Fuseli gallery genius GEORGE MORLAND grace grave guineas hand happy Hassell Henry Fuseli historical honour imagination imbodied invention kind King labour lived London looked Lord Lord Grosvenor Majesty master merit Michael Angelo Milton mind Morland nation nature never Opie original painter painting pencil person picture Pindar poet poetic poetry portrait praise Prince Hoare productions Quaker racter Raphael Rembrandt Reynolds Rome Royal Academy says scene seemed Shakspeare Sir Joshua Sir Joshua Reynolds Sistine Chapel sketches skill spirit talents taste temper thing thought tion Titian tures visions West wife wild wish Wolcot young
Pasajes populares
Página 130 - PIPING down the valleys wild, Piping songs of pleasant glee, On a cloud I saw a child, And he laughing said to me : "Pipe a song about a Lamb !
Página 130 - Piping down the valleys wild, Piping songs of pleasant glee, On a cloud I saw a child, And he laughing said to me: "Pipe a song about a Lamb!' So I piped with merry cheer. 'Piper, pipe that song again;
Página 126 - TIGER, tiger, burning bright In the forest of the night, What immortal hand or eye Could frame thy fearful symmetry ? In what distant deeps or skies Burnt the ardour of thine eyes? On what wings dare he aspire — What the hand dare seize the fire ? And what shoulder, and what art Could twist the sinews of thy heart ? And when thy heart began to beat, What dread hand form'd...
Página 142 - This is an awful thing to say to oil painters ; they may call it madness, but it is true. All the genuine old little pictures, called cabinet pictures, are in fresco and not in oil.
Página 144 - How do we distinguish the oak from the beech, the horse from the ox, but by the bounding outline? How do we distinguish one face or countenance from another, but by the bounding line and its infinite inflexions and movements?
Página 131 - Piper, sit thee down and write In a book that all may read ' — So he vanished from my sight ; And I plucked a hollow reed, And I made a rural pen, And I stained the water clear, And I wrote my happy songs, Every child may joy to hear.
Página 125 - Whether in heaven ye wander fair Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth...
Página 149 - When the morning stars sang together, and the sons of God shouted for joy.
Página 102 - ... the meaner sort of painters, who counterfeit only such faces as are set before them, and the more excellent, who, having no law but wit, bestow that in colours upon you which is fittest for the eye to see...
Página 31 - Forty years intercourse, we might almost say friendship, confirmed to the painter the accuracy of these words. "The king received West with easy frankness, assisted him to place the Agrippina in a favourable light, removed the attendants, and brought in the queen, to whom he presented our quaker. He related to her majesty the history of the picture, and bade her notice the simplicity of the design and the beauty of the colouring. ' There is another noble Roman subject...