...it as a foot-ball, rather than humble himself to the imbecility of their understandings. " Most men Are cradled into poetry by wrong, They learn in suffering what they teach in song," says Shelley, and we honour him for the sentence ; he knew its truth from his own bitter experience,...

...of his sorrows. His melodious sighs eased the weight upon his heart. " Most poets," says Shelley, " Are cradled into poetry by wrong ; They learn in suffering what they teach in song." Mr. Moultrie's earlier poems are remarkable for that vivacity and enthusiasm, which are characteristic...

...the imagination harmonizes and softens, while it exaggerates it. Shelly tell us, most men Are crndled into poetry by wrong; They learn in suffering what they teach in song. The power of fitly expressing sorrow is often ils allevitiou. Il is the sense of having unutterable...

...sombred by misfortune, and you feel saddened when you recollect his own expression, — " Most men are cradled into poetry by wrong ; They learn in suffering what they teach in song". On the west side of the cloister, over the chapter-house, and adjoining the priors' apartments, is...

...capabilities of an organism radiant with intelligence and love — most wretched men, says Shelley — " Are cradled into Poetry by wrong; They learn in suffering what they teach in song." That this, one of the sweetest uses of adversity, was known also to Paul, may be seen in the passage...

...once of its life and its poetry, " Perfect through suffering. " Shelley says : — " Most wretched men Are cradled into poetry by wrong : They learn in suffering what they teach in song." But wrong is not always the stern schoolmistress of song. There are sufferings springing from other...

...would be solved, and the hope, which we call heaven, would be realised on earth. And therefore men " Are cradled into poetry by wrong : They learn in suffering what they teach in song." 355.— EDUCATION. [FROM THE FOURTH BOOK OF THE DUNCIAD.] POPE. Now crowds on crowds around the goddess...

...And I remember one remark, which then Maddalo made : he said — " Most wretched шсп 224 '¿•25 Are cradled into poetry by wrong : They learn in suffering what they teach in song." If I had been an unconnected man, 1, from the moment, should have formed gome plan Never to leave sweet...

...would be solved, and the hope, which we call heaven, would be realized on earth. And therefore men " Are cradled into poetry by wrong : They learn in suffering what they teach in song." LITERARY REMAINS. OTHO THE GREAT. A TRAGEDY IN FIVE ACTS. DRAMATIS PERSONS. OTHO THE GREAT, Emperor...

...would be solved, and the hope, which we call heaven, would be realised on earth. And therefore men " Are cradled into poetry by wrong : They learn in suffering what they teach in song." LITERARY REMAINS. OTHO THE GREAT. IN FIVE ACTS. DRAMATIS PERSONS. OTHO THE GREAT, Emperor of Germany....