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" Burn'd on the water ; the poop was beaten gold, Purple the sails, and so perfumed that The winds were love-sick with them, the oars were silver, Which to the tune of flutes kept stroke, and made The water which they beat to follow faster, As amorous of... "
The Life and Beauties of Shakespeare: Comprising Careful Selections from ... - Página 172
por William Shakespeare - 1853 - 345 páginas
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Shakespeare's Tragic Skepticism

Millicent Bell - 2002 - 316 páginas
...the queen called Gloriana by the Elizabethans: The barge she sat in, like a burnished throne Burned on the water. The poop was beaten gold; Purple the...As amorous of their strokes. For her own person, It beggared all description: she did lie In her pavilion — cloth of gold, of tissue — O'erpicturing...
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Shakespeare: For All Time

Stanley Wells - 2003 - 494 páginas
...much of North's phraseology remains in lines that nevertheless achieve complete poetic independence: The poop was beaten gold: Purple the sails, and so...As amorous of their strokes. For her own person. It beggared all description. She did lie In her pavilion - cloth of gold, of tissue O'er-picturing that...
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Shakespeare Survey, Volumen6

Allardyce Nicoll - 2002 - 208 páginas
...people cold and to the famous description of Cleopatra's first meeting with Antony (n, ii, 197-201): Purple the sails, and so perfumed that The winds were...beat to follow faster, As amorous of their strokes and here, as in the Edward HI passage, there is a lavish use of gold and silver.13 There remain to...
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The art of acting: seni peran untuk teater, film dan TV

Eka D. Sitorus - 2002 - 280 páginas
...a burnish'd throne Burn'd on the water, the poop was beaten gold; Purple the sails; and so parfumed that The winds were love-sick with them; the oars...beat to follow faster, As amorous of their strokes. (Perahu yang ditumpanginya, seperti tahta terpoles Membara di atas air, dengan dek disepuh emas; Layarnya...
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Shakespeare Survey, Volumen23

Kenneth Muir - 2002 - 216 páginas
...throne, / Burn'd on the water' (II, ii, 199-200). The text continues with an explicit reference to Venus: For her own person It beggar'd all description: she...that Venus where we see The fancy outwork nature. (lines 205-9) Plutarch, from whom this detail (like so much else in this speech) is derived, develops...
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A2 English Language and Literature for AQA B

Alison Ross, Jen Greatrex - 2001 - 424 páginas
...give audience.' ACT IV ITY 27 Shakespeare: Antony and Cleopatra DOMITIUS ENOBARBUS I will tell you. The barge she sat in, like a burnish'd throne Burn'd...did lie In her pavilion - cloth of gold, of tissue O'er-picturing that Venus where we see The fancy outwork nature. On each side her Stood pretty dimpled...
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A Guide to Biblical Sites in Greece and Turkey

Clyde E. Fant, Mitchell G. Reddish - 2003 - 429 páginas
...city. Shakespeare, borrowing from Plutarch's account of her visit, described the scene as follows: The barge she sat in, like a burnish'd throne, Burn'd...beggar'd all description: she did lie In her pavilion — cloth-of-gold of tissue — O'er-picturing that Venus where we see The fancy outwork nature: on...
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The Economic Structure of Intellectual Property Law

William M. Landes, Richard A. Posner - 2003 - 460 páginas
...here is the corresponding passage in Shakespeare: The barge she sat in, like a burnished throne, Burnt on the water. The poop was beaten gold; Purple the...As amorous of their strokes. For her own person, It beggared all description: she did lie In her pavilion — cloth-of-gold of tissue — O'erpicturing...
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Before Orientalism: London's Theatre of the East, 1576-1626

Richmond Tyler Barbour - 2003 - 274 páginas
...Bullough, Narrative and Dramatic Sources, v: 274): The barge she sat in, like a burnished throne, Burned on the water; the poop was beaten gold; Purple the...As amorous of their strokes. For her own person, It beggared all description. (2.2.201-8) The speech is a set-piece of proto-orientalist vision: the splendid,...
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Soundscape: The School of Sound Lectures, 1998-2001

Larry Sider, Jerry Sider, Diane Freeman - 2003 - 260 páginas
...taking her to her first meeting with Anthony in Shakespeare's play is perhaps the classic example: '... the oars were silver, Which to the tune of flutes...beat to follow faster, As amorous of their strokes.' The words between 'stroke' and 'faster' require the speaker to push through the resistance of the line-break,...
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