 | James P. Stobaugh - 2005 - 238 páginas
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 | John Lubbock - 2005 - 148 páginas
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 | David G. Riede - 2005 - 236 páginas
...allusion to Shelley's account of melancholy in modern poetry in "To a Sky-Lark": "We look before and after, / And pine for what is not—/ Our sincerest...fraught—/ Our sweetest songs are those that tell of saddest thought." 20. Benjamin is seemingly inconsistent about the relation of allegory to the veil... | |
 | Tim Bragg - 2005 - 242 páginas
...down,' says Jackie, 'sit down will.. .will you? See, you're making me.. .nervous...' "We look before and after And pine for what is not: Our sincerest laughter...is fraught; Our sweetest songs are those that tell of saddest thought. " (Shelley) 'Are you calm now?' Jack asks. 'Sorry mate,' Tom whispers, 'I don't... | |
 | Kristina Nelson - 2005 - 163 páginas
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 | Peter Por - 2005 - 364 páginas
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 | Edward Hamilton Aitken - 2005 - 304 páginas
...is the nearest approach to heaven, but it is a curious answer to Shelley's question — What object are the fountains Of thy happy strain, What fields...or waves or mountains, What shapes of sky or plain? It succeeds. Withdrawn from all terrestrial distractions, the birds sing as they do when they are 'ringed... | |
 | Various - 2006 - 692 páginas
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 | Various - 2006 - 448 páginas
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What objects are the fountains Of thy happy strain? What fields, or waves, or mountains? What shapes of sky or plain? What love of thine own kind? What ignorance of pain? With thy clear keen joyance Languor cannot be: Shadow of annoyance Never came near... 
