Victorian Keats and romantic Carlyle : the fusions and confusions of literary periods

Introduction: Victorian Keats and Romantic Carlyle1 C.C. BARFOOT: Hyperion to a Satyr: Keats, Carlyle, and This Strange Disease of Modern Life 2 Aveek SEN: Keats and the Sublime3 Allan C. CHRISTENSEN: Newtonian and Goethean Colours in the Poetry of Keats4 Ralph PITE: Keats's Last Works and His Posthumous Existence5 Jacqueline SCHOEMAKER: Female Empathy to Manliness: Keats in 18196 Jane MALLINSON: Sure in Language Strange: John and Tom and Fanny and Emily7 Ralph JESSOP: Scottish Philosophical Springs of a Romantic Literature: Keats's Older Contemporary Carlyle8 Keith WHITE: Carlyle's Burns9 Helga HUSHAHN: Goethe Translated: Carlyle's Wilhelm Meister10 Margaret RUNDLE: Poised on the Cusp: Thomas Carlyle - Romantic, Victorian, or Both?11 Ann RIGNEY: The Multiple Histories of Thomas Carlyle12 Geraldine HIGGINS: Carlyle's Celtic Congregation: Reviving the Irish Hero13 Phillip MALLETT: Carlyle and Ruskin: Work and Art14 Karen WOLVEN: Ebenezer Elliott, The Corn-Law Rhymer: Poor Men Do Write - The Emergence of Class Identity within a Poetry of Transition15 Judith van OOSTEROM: Unlikely Bedfellows: Thomas Carlyle and Margaret Oliphant as Vulnerable Autobiographers16 Odin DEKKERS: Robertson on Carlyle: A Rationalist Struggling with Victorianism17 Douglas S. MACK: Frankenstein, The Three Perils of Woman, and Wuthering Heights: Romantic and Victorian Perspectives on the Fiction of James Hogg18 Bart VELDHOEN: Tennyson's Gothic: Idyllic, Unromantic Arthur19 Wim TIGGES: Heir of All the Ages: Tennyson between Romanticism, Victorianism and Modernism20 Valeria TINKLER-VILLANI: Atheism and Belief in Shelley, Swinburne and Christina RossettiNotes on ContributorsIndex